American Jewish Music's Oral History Project Highlights: Freydele Oysher – Singer Known for Her Khaznfunction Vocals
Introducing the Oral History Project of American Jewish Music
The Lowell Milken Center for Music of American Jewish Experience has launched an exciting new initiative - the Oral History Project of American Jewish Music. This project aims to preserve and share the firsthand experiences of musicians, cantors, and cultural figures who have contributed to the vibrant tapestry of Jewish music in the United States.
Freydele Oysher: A Star of the Yiddish Stage
One of the most significant interviews in the Oral History Project is with Freydele Oysher, a larger-than-life character known for her contributions to Jewish theater and music, particularly in Yiddish. Her performance of "Reboynu Shel Oylem" in the 2005 reissue album, The Oysher Heritage, showcases her exceptional talent as a performer of khazones, Jewish sacred music.
A Personal Statement of Dedication
In her interview, Freydele shares personal memories and reflections that offer insights into the experiences and artistry of Jewish performers in America. One quote that stands out is, "This is my life," suggesting a personal statement of dedication to her art and community.
The Impact of the Oral History Project
The videos in the Oral History Project are charming and entertaining, providing a unique window into the lives of these musical legends. They are accompanied by transcriptions that are searchable, allowing researchers to pinpoint relevant moments. This function is similar to OCR text recognition tools that have revolutionized primary document research, making the project a valuable resource for scholars and the public alike.
The videos are expected to have a significant impact on research on Jewish music and American Jewish life. They feature interviews with important figures such as Milton Babbitt, Josef Cykowsky, and Mina Bern, offering a wealth of information for those interested in this field.
The Story of Freydele and Moishe Oysher
Freydele's interview also delves into the story of her brother, Moishe Oysher, who was confronted by a delegation of Rabbis who demanded he choose between the theater and the synagogue. Moishe compromised by foregoing performances on the Sabbath and holidays and refraining from performing in scenes where he would kiss his love interest in romantic roles. Freydele's interpretation of Moishe's story may reflect her own feelings about her contribution to the spiritual life of the Jews with her khazones performances.
The Oyshers' perspective challenges the traditional barrier between the sacred and the profane, suggesting that emotional, artistic performance is vital in both religious and theatrical contexts. This interview, conducted by Neil W. Levin and Barry Serota in 1995, offers a unique insight into the lives and careers of these two remarkable individuals.
The Oral History Project of American Jewish Music is a vital resource for anyone interested in the history and culture of American Jewish music. It serves as a bridge to the past, connecting us with the stories and experiences of those who have shaped this rich tradition. As firsthand witnesses become increasingly scarce, the importance of projects like this cannot be overstated.
This Oral History Project, encompassing interviews with Jewish music legends like Freydele Oysher, offers captivating glimpses into the lives of these musical mavericks, blending elements of lifestyle, education-and-self-development, entertainment, and music seamlessly. Freydele, in her interview, reveals her dedication to her art and community, not only through her khazones performances but also in her personal growth journey, thereby underscoring the synergy of education, entertainment, and self-expression within her lifestyle.
